1 00:00:01,293 --> 00:00:02,586 Man: CARROLL WAS CONVICTED IN 2004 2 00:00:02,586 --> 00:00:04,713 FOR THE MURDERS OF 14 YOUNG WOMEN. 3 00:00:04,713 --> 00:00:06,298 FBI Director: WE NEED YOU IN VIRGINIA, RYAN. 4 00:00:06,298 --> 00:00:07,758 I'M NOT AN AGENT ANYMORE. 5 00:00:07,758 --> 00:00:09,969 YOU CAUGHT CARROLL. NO ONE KNOWS HIM LIKE YOU DO. 6 00:00:09,969 --> 00:00:11,971 SO WHAT'S MY SEQUEL ABOUT, JOE? 7 00:00:11,971 --> 00:00:13,931 Carroll: WE'RE GONNA WRITE THIS TOGETHER, RYAN... 8 00:00:13,931 --> 00:00:15,641 OHH! 9 00:00:15,641 --> 00:00:18,101 EVEN THOUGH YOU SLEPT WITH MY WIFE. 10 00:00:18,101 --> 00:00:22,063 I HAVE SO MANY SURPRISES WAITING FOR YOU. 11 00:00:22,063 --> 00:00:24,692 OLIVIA, I REQUIRE LEGAL COUNSEL. 12 00:00:24,692 --> 00:00:26,318 DO NOT BRING ME INTO THIS ANY FURTHER. 13 00:00:26,318 --> 00:00:28,570 WE'RE JUST GETTING STARTED. 14 00:00:29,947 --> 00:00:31,949 IF YOU WANT TO SEE JOEY, GET IN NOW. 15 00:00:31,949 --> 00:00:33,492 I WAS TOLD THAT I WOULD SEE MY SON. WHERE IS HE? 16 00:00:33,492 --> 00:00:35,369 YOU DON'T HAVE TO BE AFRAID OF ME, CLAIRE. 17 00:00:35,369 --> 00:00:36,578 YOU HAVE TO TRUST ME. 18 00:00:36,578 --> 00:00:39,247 HEY, JOEY. YOU REMEMBER ME? 19 00:00:39,247 --> 00:00:41,166 DO NOT MOVE. 20 00:00:43,377 --> 00:00:45,880 BE RIGHT BACK. 21 00:00:45,880 --> 00:00:47,589 PLACE IS SURROUNDED BY COPS. 22 00:00:47,589 --> 00:00:48,757 NO WAY OUT. 23 00:00:48,757 --> 00:00:50,634 COME ON. WE GOT TO GO. 24 00:00:50,634 --> 00:00:52,093 WHAT'S TAKING HER SO LONG? 25 00:00:52,093 --> 00:00:53,345 I LOOKED ALL OVER THE PLACE! 26 00:00:53,345 --> 00:00:55,597 SHE AND JOEY ARE BOTH GONE. 27 00:00:55,597 --> 00:00:56,557 UGH! 28 00:00:56,557 --> 00:00:57,725 Weston: DON'T MOVE! 29 00:00:57,725 --> 00:00:59,810 JOEY, WE'RE HERE TO HELP YOU. 30 00:00:59,810 --> 00:01:02,062 I'M WITH RODERICK. LET'S GO. 31 00:01:02,062 --> 00:01:03,313 STOP RIGHT THERE! 32 00:01:03,313 --> 00:01:05,733 NO. JOEY, NO! WAIT! 33 00:01:27,212 --> 00:01:29,006 Joey: WHERE ARE WE? 34 00:01:30,966 --> 00:01:33,052 I THOUGHT WE WERE GOING TO SEE MY MOM. 35 00:01:33,052 --> 00:01:34,553 WE ARE, 36 00:01:34,553 --> 00:01:36,471 BUT I NEED TO MEET A FRIEND FIRST. 37 00:01:36,471 --> 00:01:38,473 WE HAVE TO MEET YOUR FRIEND HERE? 38 00:01:38,473 --> 00:01:41,226 YES. HE'S GONNA HELP US, OK? 39 00:01:41,226 --> 00:01:42,394 WE WON'T BE LONG. 40 00:01:42,394 --> 00:01:43,562 WHAT ABOUT JACOB AND PAUL? 41 00:01:43,562 --> 00:01:47,148 AREN'T THEY COMING, TOO? 42 00:01:47,148 --> 00:01:49,777 I DON'T KNOW. 43 00:01:49,777 --> 00:01:50,945 WHAT ABOUT ALL THE BAD GUYS? 44 00:01:50,945 --> 00:01:52,446 AREN'T THEY STILL LOOKING FOR US? 45 00:01:52,446 --> 00:01:54,364 NO. HOW DO YOU KNOW? 46 00:01:54,364 --> 00:01:55,908 JOEY, PLEASE STOP. 47 00:01:59,453 --> 00:02:02,539 EVERYTHING'S GONNA BE OK. 48 00:02:02,539 --> 00:02:04,041 PROMISE. 49 00:02:14,009 --> 00:02:16,511 HELLO? 50 00:02:16,511 --> 00:02:18,597 I'VE BEEN WAITING FOR YOU. 51 00:02:22,935 --> 00:02:24,394 I WAS TOLD TO COME HERE. 52 00:02:24,394 --> 00:02:26,354 I KNOW. 53 00:02:26,354 --> 00:02:30,567 IT'S ABOUT TIME YOU SHOWED UP. 54 00:02:30,567 --> 00:02:32,861 MY NAME IS BO. 55 00:02:32,861 --> 00:02:34,947 GO PULL YOUR TRUCK IN THERE. 56 00:02:34,947 --> 00:02:37,449 I HAVE TO GO USE THE BATHROOM. 57 00:02:37,449 --> 00:02:40,160 WE'VE BEEN DRIVING ALL NIGHT. 58 00:02:40,160 --> 00:02:42,997 YOU GOT A LITTLE BOYS' ROOM? 59 00:02:42,997 --> 00:02:44,498 THROUGH THE OFFICE. 60 00:02:47,250 --> 00:02:48,752 GO AHEAD, JOEY. 61 00:03:17,447 --> 00:03:18,782 HELLO? 62 00:03:46,643 --> 00:03:48,311 PLEASE! PLEASE! 63 00:03:48,311 --> 00:03:49,730 HELP ME, PLEASE. 64 00:03:49,730 --> 00:03:51,398 DON'T LEAVE ME HERE. 65 00:03:51,398 --> 00:03:54,442 DON'T LEAVE ME. PLEASE COME BACK! 66 00:03:54,442 --> 00:03:56,695 COME BACK, COME BACK, COME BACK! 67 00:04:03,827 --> 00:04:05,662 AAH! 68 00:04:05,662 --> 00:04:06,872 OH, GOD! 69 00:04:06,872 --> 00:04:10,084 GUARDS! GUARDS! HELP! 70 00:04:10,084 --> 00:04:13,336 Guard: HEY. COME ON, COME ON. 71 00:04:13,336 --> 00:04:16,423 RYAN HARDY'S ASSAULT RESULTED IN 3 BROKEN FINGERS. 72 00:04:16,423 --> 00:04:18,050 AS I'M SURE YOU'RE AWARE, WARDEN, 73 00:04:18,050 --> 00:04:19,801 THIS IS A CLEAR VIOLATION OF MY CLIENT'S 74 00:04:19,801 --> 00:04:21,136 EIGHTH AMENDMENT RIGHTS. 75 00:04:21,136 --> 00:04:22,303 I'M AWARE. 76 00:04:22,303 --> 00:04:24,014 THE FBI's BEHAVIOR WAS UNWARRANTED. 77 00:04:24,014 --> 00:04:25,348 WE HAVE CASE LAW PRECEDENCE, 78 00:04:25,348 --> 00:04:28,351 FEDERAL TORT AND CIVIL LIBERTIES CLAIMS. 79 00:04:28,351 --> 00:04:31,230 JUST EXACTLY WHAT DO YOU WANT, MISS WARREN? 80 00:04:31,230 --> 00:04:33,982 I'LL LET MY CLIENT TELL YOU HIMSELF. 81 00:04:33,982 --> 00:04:36,860 MR. CARROLL. 82 00:04:36,860 --> 00:04:39,613 FIRST, WARDEN MONTERO 83 00:04:39,613 --> 00:04:43,200 AND OTHER IMPORTANT PEOPLE, THANK YOU. 84 00:04:43,200 --> 00:04:45,077 THANK YOU FOR ALLOWING ME 85 00:04:45,077 --> 00:04:49,915 THE OPPORTUNITY TO SHARE THE INJUSTICES 86 00:04:49,915 --> 00:04:54,502 THAT HAVE BEEN INFLICTED UPON ME. 87 00:04:57,505 --> 00:04:59,049 Claire: HE SAID HIS NAME WAS CHARLIE, 88 00:04:59,049 --> 00:05:01,802 AND HE TOLD ME THAT HE WAS HIRED TO FOLLOW ME 89 00:05:01,802 --> 00:05:03,678 AND TO REPORT BACK TO JOE. 90 00:05:03,678 --> 00:05:05,180 HE HAD PHOTOS AND VIDEO, 91 00:05:05,180 --> 00:05:08,558 AND HE--HE SAID HE WAS GONNA TAKE ME TO JOEY. 92 00:05:08,558 --> 00:05:10,227 AND YOU BELIEVED HIM. 93 00:05:10,227 --> 00:05:12,187 YES, I DID. 94 00:05:12,187 --> 00:05:13,605 HE HAD THIS HONOR ABOUT HIM 95 00:05:13,605 --> 00:05:15,523 LIKE HEW AS LIVING UP TO SOME CODE OF CONDUCT, 96 00:05:15,523 --> 00:05:17,276 DEFINITELY MILITARY. 97 00:05:20,612 --> 00:05:23,198 UM, MARINES OR ARMY OR SOMETHING. 98 00:05:23,198 --> 00:05:24,825 HE SAID THAT HE WAS WAITING TO HEAR 99 00:05:24,825 --> 00:05:26,910 FROM SOMEONE NAMED RODERICK FOR ORDERS. 100 00:05:26,910 --> 00:05:28,287 TEA. 101 00:05:30,831 --> 00:05:32,582 THANK YOU. 102 00:05:32,582 --> 00:05:33,750 RODERICK? 103 00:05:33,750 --> 00:05:36,419 UM, YEAH. I'M SURE IT'S AN ALIAS. 104 00:05:36,419 --> 00:05:38,005 RODERICK USHER-- IT'S FROM POE'S 105 00:05:38,005 --> 00:05:39,214 "FALL OF THE HOUSE OF USHER." 106 00:05:39,214 --> 00:05:40,423 WHEN WE WERE AT THE FARMHOUSE, 107 00:05:40,423 --> 00:05:42,467 EMMA GOT A CALL FROM THIS RODERICK. 108 00:05:42,467 --> 00:05:44,178 CULT LEADERS OFTEN HAVE A SECOND IN COMMAND, 109 00:05:44,178 --> 00:05:47,139 SOMEONE TO OVERSEE, MANAGES THE CULT. 110 00:05:47,139 --> 00:05:50,391 DO YOU EVEN KNOW HOW MANY PEOPLE ARE INVOLVED IN THIS? 111 00:05:50,391 --> 00:05:53,187 I MEAN, ARE WE TALKING FANS OR PRISON GROUPIES 112 00:05:53,187 --> 00:05:55,814 OR PEOPLE WITH SERIOUS MENTAL DISORDERS? 113 00:05:55,814 --> 00:05:57,107 AND DO WE KNOW HOW MANY OF THEM HAVE KILLED? 114 00:05:57,107 --> 00:05:58,399 TRUTH IS, WE DON'T KNOW, 115 00:05:58,399 --> 00:05:59,651 BUT IT'S A LOT BIGGER THAN WE THOUGHT, 116 00:05:59,651 --> 00:06:01,569 MORE PERVASIVE. 117 00:06:01,569 --> 00:06:02,821 MISS MATTHEWS, CAN I COUNT ON YOU NOT TO ENGAGE 118 00:06:02,821 --> 00:06:04,363 WITH ANY MORE OF JOE'S FOLLOWERS? 119 00:06:04,363 --> 00:06:05,907 NO, YOU CAN'T, 120 00:06:05,907 --> 00:06:08,367 NOT ANY MORE THAN I CAN COUNT ON YOU TO FIND MY SON. 121 00:06:08,367 --> 00:06:10,620 CLAIRE... 122 00:06:10,620 --> 00:06:13,707 I DON'T KNOW WHAT I WOULD DO IN YOUR SITUATION, 123 00:06:13,707 --> 00:06:15,834 SO I WILL JUST ASK YOU TO INFORM US 124 00:06:15,834 --> 00:06:18,337 IF ANYONE MAKES CONTACT WITH YOU AGAIN. 125 00:06:26,803 --> 00:06:28,930 YOU HAVE TO FIND THIS GUY--CHARLIE. 126 00:06:28,930 --> 00:06:30,057 I'M--I'M SORRY. 127 00:06:30,057 --> 00:06:31,474 DON'T. JUST FIND HIM. 128 00:06:31,474 --> 00:06:33,392 HE KNOWS WHERE THEY TOOK JOEY. 129 00:06:48,075 --> 00:06:49,910 WHEN IS CHARLIE COMING? 130 00:06:58,293 --> 00:06:59,753 EHH. 131 00:07:04,174 --> 00:07:06,885 THERE YOU ARE. 132 00:07:06,885 --> 00:07:08,220 YOU OK? 133 00:07:12,015 --> 00:07:14,226 HEY. EVERYTHING OK, HONEY? 134 00:07:14,226 --> 00:07:15,476 THERE WAS A GIRL. 135 00:07:15,476 --> 00:07:17,271 SHE'S LOCKED IN A CAGE BACK THERE. 136 00:07:17,271 --> 00:07:18,688 SHE'S SCARED. WE HAVE TO HELP HER. 137 00:07:18,688 --> 00:07:19,981 THERE'S A WHAT? 138 00:07:19,981 --> 00:07:21,400 WE HAVE TO HELP HER. 139 00:07:21,400 --> 00:07:23,985 Bo: YOU'RE NOT SUPPOSED TO GO BACK THERE! 140 00:07:25,362 --> 00:07:27,155 SHE'S NONE OF YOUR BUSINESS. 141 00:07:31,076 --> 00:07:35,414 YOU DON'T GO BACK THERE, OK? 142 00:07:36,748 --> 00:07:38,292 YOU UNDERSTAND? 143 00:07:45,715 --> 00:07:47,092 STAY RIGHT HERE. 144 00:07:48,593 --> 00:07:51,430 WHY DO YOU HAVE A GIRL IN A CAGE? 145 00:07:51,430 --> 00:07:52,639 IS THERE SOMETHING THAT I SHOULD KNOW ABOUT? 146 00:07:52,639 --> 00:07:54,891 IT'S NONE OF YOUR BUSINESS NEITHER. 147 00:07:57,560 --> 00:08:00,439 WHY DON'T WE JUST WAIT? 148 00:08:00,439 --> 00:08:04,734 LESS TALKING AND...JUST WAIT. 149 00:08:07,862 --> 00:08:09,697 Parker: YOU CAN'T DO THIS, GENE. 150 00:08:09,697 --> 00:08:11,616 Montero: I'VE ALREADY DISCUSSED IT WITH DIRECTOR FRANKLIN. 151 00:08:11,616 --> 00:08:15,495 LOOK. I UNDERSTAND THAT SOME LINES MAY HAVE BEEN CROSSED, 152 00:08:15,495 --> 00:08:17,122 BUT THIS DOESN'T MAKE ANY SENSE. 153 00:08:17,122 --> 00:08:18,748 WE'RE TALKING ABOUT A CONVICTED SERIAL KILLER HERE. 154 00:08:18,748 --> 00:08:22,002 CARROLL MAKES A CONVINCING CASE FOR PRISON ABUSE. 155 00:08:22,002 --> 00:08:23,378 I DO NOT NEED THAT KIND OF LIABILITY. 156 00:08:23,378 --> 00:08:24,796 WHAT'S GOING ON HERE? 157 00:08:24,796 --> 00:08:26,673 LOOK. JUST GIVE ME THE TIME 158 00:08:26,673 --> 00:08:28,175 TO SPEAK WITH THE JUSTICE DEPARTMENT, 159 00:08:28,175 --> 00:08:29,550 FIND A BETTER ALTERNATIVE. 160 00:08:29,550 --> 00:08:31,219 IT'S TOO LATE FOR THAT. EXCUSE ME. 161 00:08:31,219 --> 00:08:33,054 AND I'D SUGGEST YOU DO SOMETHING ABOUT THIS MAN 162 00:08:33,054 --> 00:08:35,474 BEFORE HE DOES MORE DAMAGE. 163 00:08:35,474 --> 00:08:39,102 THIS IS ON YOU, MR. HARDY. 164 00:08:39,102 --> 00:08:41,313 WHAT IS HE TALKING ABOUT? WHAT'S GOING ON? 165 00:08:41,313 --> 00:08:42,981 THE WARDEN JUST GRANTED JOE CARROLL'S 166 00:08:42,981 --> 00:08:44,483 REQUEST FOR A TRANSFER. 167 00:08:44,483 --> 00:08:45,650 HE'S LEAVING. 168 00:08:45,650 --> 00:08:46,651 WHA--WHAT? WHEN? 169 00:08:46,651 --> 00:08:47,777 IMMEDIATELY. 170 00:08:47,777 --> 00:08:49,404 THEY'RE PREPARING TO MOVE HIM NOW. 171 00:09:00,248 --> 00:09:03,084 Man: JOE CARROLL, YOU'VE BEEN REMANDED INTO THE CUSTODY 172 00:09:03,084 --> 00:09:05,003 OF THE JESUP COUNTY FEDERAL CORRECTIONAL FACILITY 173 00:09:05,003 --> 00:09:06,629 OF THE STATE OF GEORGIA. 174 00:09:11,092 --> 00:09:13,303 YOU MIND GIVING US THE ROOM? 175 00:09:13,303 --> 00:09:14,929 HE'S ALL YOURS. 176 00:09:19,059 --> 00:09:21,436 I DON'T BELIEVE WE'VE HAD THE PLEASURE. 177 00:09:22,687 --> 00:09:24,022 OH! RYAN. 178 00:09:24,022 --> 00:09:26,441 COME FOR YOUR FAREWELL VISIT. 179 00:09:26,441 --> 00:09:27,692 THANKS. 180 00:09:31,571 --> 00:09:32,822 WELL, I COULDN'T LET YOU LEAVE 181 00:09:32,822 --> 00:09:35,075 WITHOUT SAYING A PROPER GOOD-BYE. 182 00:09:35,075 --> 00:09:37,618 SO WHY THE TRANSFER, JOE? 183 00:09:37,618 --> 00:09:39,913 WHAT'S IN GEORGIA, HUH? 184 00:09:39,913 --> 00:09:42,623 YOU HAVE FRIENDS THERE? 185 00:09:42,623 --> 00:09:44,209 IS THAT WHERE THE CULT IS, 186 00:09:44,209 --> 00:09:46,211 YOUR GOOD BUDDY RODERICK? 187 00:09:46,211 --> 00:09:49,005 RODERICK? RODERICK. NO. 188 00:09:49,005 --> 00:09:51,799 SORRY. NAME DOESN'T RING A BELL. 189 00:09:51,799 --> 00:09:53,801 TELL ME ABOUT CLAIRE. 190 00:09:53,801 --> 00:09:57,972 HOW DID SHE REACT WHEN YOU FAILED TO RESCUE OUR SON? 191 00:09:57,972 --> 00:09:59,391 WAS SHE UPSET? 192 00:09:59,391 --> 00:10:02,602 HAS SHE REJECTED YOU YET? 193 00:10:02,602 --> 00:10:04,104 IT'S OK, RYAN. 194 00:10:04,104 --> 00:10:06,940 EVERY GREAT LOVE MUST BE TESTED AFTER ALL. 195 00:10:06,940 --> 00:10:08,567 YOU KNOW, THAT'S STRANGE. 196 00:10:08,567 --> 00:10:10,235 HMM? 197 00:10:10,235 --> 00:10:11,486 I SAY THE NAME RODERICK, 198 00:10:11,486 --> 00:10:14,155 AND YOU IMMEDIATELY CHANGE THE SUBJECT. 199 00:10:14,155 --> 00:10:17,951 HMM. I'M SO GONNA MISS THESE LITTLE CHATS. 200 00:10:21,413 --> 00:10:23,039 WE NEED TO TAKE HIM DOWN FOR PROCESSING. 201 00:10:36,094 --> 00:10:37,720 GOOD-BYE, RYAN. 202 00:10:39,097 --> 00:10:40,474 Ryan: I WANT TO GO. I REALLY THINK 203 00:10:40,474 --> 00:10:42,058 THAT I SHOULD BE SUPERVISING THE TRANSFER. 204 00:10:42,058 --> 00:10:43,977 THE U.S. MARSHALS ARE SUPERVISING THE TRANSFER. 205 00:10:43,977 --> 00:10:45,686 THEY AGREED TO LET ME ACCOMPANY THEM. 206 00:10:45,686 --> 00:10:47,105 NO. LISTEN. I GOT TO BE THERE. 207 00:10:47,105 --> 00:10:48,689 YOU CAN'T. 208 00:10:48,689 --> 00:10:52,986 LOOK. I KNOW THAT WE ARE ALL UPSET AND DISAPPOINTED 209 00:10:52,986 --> 00:10:55,780 ABOUT WHAT HAPPENED AT THE FARMHOUSE, 210 00:10:55,780 --> 00:10:58,450 BUT WE GOT THIS. 211 00:10:58,450 --> 00:11:00,785 I WILL MAKE SURE NOTHING GOES WRONG. 212 00:11:10,920 --> 00:11:12,213 MIKE. 213 00:11:13,923 --> 00:11:16,134 WHAT'S UP? 214 00:11:16,134 --> 00:11:19,137 I NEED YOU TO LOOK INTO WARDEN MONTERO. 215 00:11:19,137 --> 00:11:20,639 YOU THINK THE WARDEN'S BEEN COMPROMISED? 216 00:11:20,639 --> 00:11:21,889 I DON'T KNOW WHAT TO THINK, 217 00:11:21,889 --> 00:11:23,808 BUT SOMETHING'S NOT RIGHT. 218 00:11:23,808 --> 00:11:24,851 HMM. 219 00:11:34,027 --> 00:11:36,112 SO HOW DO YOU KNOW RODERICK? 220 00:11:38,823 --> 00:11:41,618 I DO THINGS FOR HIM FROM TIME TO TIME. 221 00:11:41,618 --> 00:11:43,244 WHAT KIND OF THINGS? 222 00:11:53,754 --> 00:11:56,216 Joey: ARE YOU STILL IN THERE? 223 00:11:56,216 --> 00:11:57,884 I'M JOEY. I'VE GOT THE KEYS. 224 00:11:57,884 --> 00:11:59,386 LET ME GET YOU OUT. 225 00:11:59,386 --> 00:12:01,137 JOEY, I'M DANA. 226 00:12:01,137 --> 00:12:02,721 NICE TO MEET YOU. 227 00:12:04,432 --> 00:12:05,933 I KNEW YOU'D COME BACK. 228 00:12:11,147 --> 00:12:13,066 DO YOU KNOW JOE CARROLL? 229 00:12:13,066 --> 00:12:15,109 I KNOW WHO HE IS, 230 00:12:15,109 --> 00:12:17,820 BUT I'M NOT A PART OF HIS LITTLE CLUB. 231 00:12:22,492 --> 00:12:24,160 WHERE'S THE KID? 232 00:12:24,160 --> 00:12:25,412 JOEY? 233 00:12:26,663 --> 00:12:27,955 JOEY? 234 00:12:31,209 --> 00:12:33,628 PLEASE HURRY. I AM. 235 00:12:33,628 --> 00:12:35,505 YOU--YOU CAN DO IT. 236 00:12:38,883 --> 00:12:40,093 GOT IT! 237 00:12:44,763 --> 00:12:46,140 COME ON. 238 00:12:50,687 --> 00:12:51,812 OH. WHAT ARE YOU WAITING FOR? 239 00:12:51,812 --> 00:12:53,106 LET'S GO. 240 00:13:04,909 --> 00:13:06,827 WHAT DID YOU JUST DO? 241 00:13:06,827 --> 00:13:08,037 WHY'D YOU DO THAT? 242 00:13:09,664 --> 00:13:11,958 WHY DID YOU DO THAT? 243 00:13:13,876 --> 00:13:16,212 YOU COME BACK HERE! 244 00:13:16,212 --> 00:13:17,338 UGH! 245 00:13:20,925 --> 00:13:22,594 COME HERE! 246 00:13:22,594 --> 00:13:24,387 COME BACK HERE! 247 00:13:29,892 --> 00:13:31,519 WHERE ARE YOU? 248 00:13:41,446 --> 00:13:43,490 JOEY! 249 00:13:50,330 --> 00:13:52,165 ALL RIGHT, JOEY. I'M NOT GONNA HURT YOU. 250 00:13:56,210 --> 00:13:59,756 I'M NOT GONNA HURT YOU. 251 00:13:59,756 --> 00:14:00,757 COME HERE! 252 00:14:00,757 --> 00:14:01,758 NO! NO! 253 00:14:01,758 --> 00:14:02,883 COME HERE. 254 00:14:04,093 --> 00:14:05,553 I TOLD YOU NOT TO GO BACK THERE! 255 00:14:05,553 --> 00:14:08,139 WHY DID YOU DO THAT? WHY DID YOU DO THAT? 256 00:14:08,139 --> 00:14:09,890 TOUCH HIM AGAIN, AND YOU'RE DEAD! 257 00:14:13,894 --> 00:14:15,522 JOEY, COME HERE. 258 00:14:17,607 --> 00:14:19,233 UNH! 259 00:14:19,233 --> 00:14:20,901 DENISE! 260 00:14:20,901 --> 00:14:24,322 OH! JOEY, RUN! 261 00:14:24,322 --> 00:14:26,407 AAH! NOOOO! 262 00:14:31,329 --> 00:14:33,247 Charlie: WHAT THE HELL IS GOING ON? 263 00:15:12,579 --> 00:15:14,121 EVERYTHING OK OUT THERE? 264 00:15:14,121 --> 00:15:15,498 ALL SET. 265 00:15:15,498 --> 00:15:17,250 CHOPPER'S INBOUND NOW. 266 00:15:18,877 --> 00:15:21,504 OK. THEY'RE LOCKING HIM IN THE TRANSPORT VEHICLE. 267 00:15:26,175 --> 00:15:27,594 PRISONER IS IN THE TRANSPORT. 268 00:15:27,594 --> 00:15:28,762 SECURING ALL DOORS NOW. 269 00:15:57,916 --> 00:15:59,208 HEY. WHAT'D YOU FIND OUT? 270 00:15:59,208 --> 00:16:00,585 WELL, HE LOOKS CLEAN. 271 00:16:00,585 --> 00:16:02,211 NO KNOWN ASSOCIATION WITH ANYBODY 272 00:16:02,211 --> 00:16:03,254 THAT'S EVER VISITED JOE CARROLL, 273 00:16:03,254 --> 00:16:05,256 BUT I DID FIND ONE THING. 274 00:16:05,256 --> 00:16:07,967 THE WARDEN'S GOT A TEENAGE DAUGHTER ENROLLED IN COLLEGE. 275 00:16:10,094 --> 00:16:12,388 YOU THINKING WHAT I'M THINKING? 276 00:16:12,388 --> 00:16:14,014 YEAH. 277 00:16:14,014 --> 00:16:15,141 WARDEN MONTERO. 278 00:16:15,141 --> 00:16:16,684 I REALLY DON'T HAVE TIME, HARDY. 279 00:16:16,684 --> 00:16:18,311 I HAVE A QUESTION ABOUT JOE CARROLL'S TRANSFER. 280 00:16:18,311 --> 00:16:20,062 WE'VE ALREADY BEEN THROUGH THIS. 281 00:16:20,062 --> 00:16:21,522 HUMOR US. 282 00:16:21,522 --> 00:16:22,816 YOU'RE THE REASON THAT MAN GOT TRANSFERRED, 283 00:16:22,816 --> 00:16:23,817 NOT ME. 284 00:16:23,817 --> 00:16:25,192 OK. SO THIS HAS NOTHING TO DO 285 00:16:25,192 --> 00:16:26,653 WITH YOUR DAUGHTER DANA. 286 00:16:26,653 --> 00:16:27,654 WHERE IS SHE, WARDEN? 287 00:16:27,654 --> 00:16:29,656 SHE'S IN SCHOOL. 288 00:16:29,656 --> 00:16:31,198 HOBERMAN COLLEGE. 289 00:16:31,198 --> 00:16:32,742 THAT'S RIGHT. 290 00:16:32,742 --> 00:16:34,285 SHE HASN'T BEEN TO CLASS IN OVER TWO DAYS. 291 00:16:34,285 --> 00:16:35,787 THIS MORNING, HER BOYFRIEND FILED 292 00:16:35,787 --> 00:16:37,163 A MISSING PERSONS REPORT WITH CAMPUS SECURITY. 293 00:16:37,163 --> 00:16:38,539 WELL, I WASN'T AWARE OF THAT. 294 00:16:38,539 --> 00:16:40,249 I'LL LOOK INTO IT RIGHT AWAY. 295 00:16:40,249 --> 00:16:41,835 JOE CARROLL'S PEOPLE THREATENED YOU, DIDN'T THEY? 296 00:16:41,835 --> 00:16:43,336 THEY FORCED YOU TO AUTHORIZE HIS TRANSFER, HUH? 297 00:16:43,336 --> 00:16:46,339 MR. HARDY, I UNDERSTAND THAT YOU'RE HERE 298 00:16:46,339 --> 00:16:47,674 AT THE BEHEST OF THE FBI, 299 00:16:47,674 --> 00:16:49,049 BUT YOU'RE SKATING ON VERY THIN ICE. 300 00:16:49,049 --> 00:16:52,553 DO NOT PUSH ME. 301 00:17:00,269 --> 00:17:01,354 YOU BUYING IT? 302 00:17:01,354 --> 00:17:02,563 NOT FOR A SECOND. 303 00:17:02,563 --> 00:17:04,022 I WANT TO KNOW EVERYTHING ABOUT HIM, 304 00:17:04,022 --> 00:17:05,984 WHERE HE GOES, WHO HE TALKS TO, EVERYTHING. 305 00:17:12,991 --> 00:17:15,535 WHAT'S TAKING SO LONG? 306 00:17:15,535 --> 00:17:17,662 WE'RE WAITING FOR WORD THAT IT'S SAFE TO MOVE. 307 00:17:17,662 --> 00:17:19,998 WHY DO WE HAVE TO WAIT HERE? 308 00:17:19,998 --> 00:17:22,333 WHAT ABOUT THAT GUY BO? 309 00:17:22,333 --> 00:17:24,919 IS HE PART OF THIS? 310 00:17:24,919 --> 00:17:26,044 WHEN WE SET UP THE WEB SITE, 311 00:17:26,044 --> 00:17:28,214 WE FOUND A LOT OF PEOPLE LIKE BO, 312 00:17:28,214 --> 00:17:30,591 USEFUL BUT IN A LIMITED WAY. 313 00:17:30,591 --> 00:17:32,635 HE'S NOT PART OF EVERYTHING, 314 00:17:32,635 --> 00:17:34,762 AND HE WON'T BE COMING WITH US. 315 00:17:34,762 --> 00:17:36,556 HE'S GOT THAT GIRL IN A CAGE. 316 00:17:36,556 --> 00:17:39,559 THE GIRL IS VERY IMPORTANT. 317 00:17:39,559 --> 00:17:41,936 HER NAME IS DANA. SHE'S OUR LEVERAGE. 318 00:17:41,936 --> 00:17:46,691 SHE'S GONNA ENSURE THAT WE ALL MAKE IT HOME SAFE TONIGHT. 319 00:17:46,691 --> 00:17:48,192 YOU KNOW THE PEOPLE THERE? 320 00:17:48,192 --> 00:17:49,986 A FEW. 321 00:17:49,986 --> 00:17:52,906 SOME OF MY BUDDIES THAT I SIGNED UP WITH, 322 00:17:52,906 --> 00:17:54,824 FRIENDS OF RODERICK'S. 323 00:17:54,824 --> 00:17:58,411 WHAT--WHAT ABOUT YOUR FRIENDS-- 324 00:17:58,411 --> 00:18:00,705 PAUL AND JACOB? 325 00:18:00,705 --> 00:18:02,331 WHAT HAPPENED TO THEM? 326 00:18:08,629 --> 00:18:11,340 I'M SORRY. 327 00:18:11,340 --> 00:18:13,175 I DIDN'T MEAN TO, UH... 328 00:18:18,138 --> 00:18:20,433 WE DO WHAT WE HAVE TO DO. 329 00:18:31,444 --> 00:18:32,946 RUN IT AGAIN. 330 00:18:36,240 --> 00:18:37,450 Weston: WHAT'S UP? 331 00:18:37,450 --> 00:18:38,701 GOING THROUGH THE STUFF WE CONFISCATED 332 00:18:38,701 --> 00:18:40,036 FROM CHARLIE'S WAREHOUSE. 333 00:18:40,036 --> 00:18:41,287 I FOUND A BUNCH OF SURVEILLANCE FOOTAGE 334 00:18:41,287 --> 00:18:42,496 ALL SPLICED TOGETHER, 335 00:18:42,496 --> 00:18:43,581 AND ONE WAS MARKED "DETENTION CENTER." 336 00:18:43,581 --> 00:18:44,749 WAIT. IT'S FROM HERE? 337 00:18:44,749 --> 00:18:46,709 MM-HMM. 338 00:18:46,709 --> 00:18:48,127 WELL, THAT'S THE PRISON'S EXIT. 339 00:18:48,127 --> 00:18:51,714 WHY WOULD CHARLIE HAVE VIDEO OF THAT? 340 00:18:51,714 --> 00:18:53,758 DO YOU HAVE ACCESS TO THE SURVEILLANCE FOOTAGE 341 00:18:53,758 --> 00:18:56,302 OF JOE CARROLL'S TRANSFER VEHICLE JUST AS HE LEFT? 342 00:18:56,302 --> 00:18:57,678 UH, YES. I THINK I DO. 343 00:18:57,678 --> 00:18:58,805 PULL IT UP, THE SAME POINT, 344 00:18:58,805 --> 00:19:00,014 EXITING THE SALLY PORT. 345 00:19:03,225 --> 00:19:04,936 LOOK THERE. LOOK AT THAT. 346 00:19:04,936 --> 00:19:08,648 RUN THAT BACK. ENHANCE THAT. 347 00:19:08,648 --> 00:19:12,485 THERE. THAT'S AN EDIT. 348 00:19:16,363 --> 00:19:18,407 THE WARDEN HIJACKED THE SURVEILLANCE FOOTAGE. 349 00:19:18,407 --> 00:19:19,784 RYAN, THE WARDEN JUST LEFT THE BUILDING, 350 00:19:19,784 --> 00:19:21,535 SAID HE WAS TAKING THE REST OF THE DAY OFF. 351 00:19:21,535 --> 00:19:23,329 GET PARKER ON THE PHONE NOW. 352 00:19:32,338 --> 00:19:33,714 AGENT PARKER. 353 00:19:33,714 --> 00:19:35,424 Ryan: JOE'S NOT IN THE TRANSPORT VEHICLE. 354 00:19:35,424 --> 00:19:36,550 WHAT ARE YOU TALKING ABOUT? 355 00:19:36,550 --> 00:19:38,385 STOP THE TRANSFER, CHECK THE TRUCK. 356 00:19:38,385 --> 00:19:39,512 HE'S NOT IN THERE. 357 00:19:39,512 --> 00:19:40,930 THAT'S IMPOSSIBLE. 358 00:19:40,930 --> 00:19:43,141 THE WARDEN AND HIS MEN HAVE BEEN COMPROMISED. 359 00:19:43,141 --> 00:19:45,392 DO IT! 360 00:19:45,392 --> 00:19:47,394 YOU NEED TO STOP, CHECK ON THE PRISONER. 361 00:19:47,394 --> 00:19:48,437 WHY? 362 00:19:48,437 --> 00:19:49,897 STOP NOW. 363 00:20:06,372 --> 00:20:07,748 OPEN UP. 364 00:20:11,585 --> 00:20:12,837 WHAT'S GOING ON? 365 00:20:12,837 --> 00:20:14,463 NEED YOU TO OPEN THE VEHICLE. 366 00:20:14,463 --> 00:20:15,965 I'M NOT REALLY AUTHORIZED TO DO THAT, MA'AM. 367 00:20:15,965 --> 00:20:17,633 I'M AUTHORIZING YOU. 368 00:20:17,633 --> 00:20:20,678 THAT'S NOT HOW IT WORKS. 369 00:20:20,678 --> 00:20:22,221 IT'S NOT A REQUEST. 370 00:20:34,775 --> 00:20:36,819 WHAT THE HELL IS YOUR PROBLEM? 371 00:20:38,612 --> 00:20:40,447 WHAT DID YOU DO? 372 00:20:40,447 --> 00:20:42,408 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 373 00:20:48,789 --> 00:20:50,249 OPEN THE TRUNK. 374 00:20:52,919 --> 00:20:54,420 YOU'RE GONNA GET MY DAUGHTER KILLED. 375 00:20:54,420 --> 00:20:56,380 OPEN THE TRUNK. 376 00:21:26,660 --> 00:21:27,787 WHERE IS HE? 377 00:21:27,787 --> 00:21:29,455 WHERE THE HELL IS HE? 378 00:21:53,395 --> 00:21:55,481 YUHH. 379 00:21:55,481 --> 00:21:56,857 THANK YOU, OLIVIA. 380 00:22:03,572 --> 00:22:04,782 SHE'S MY DAUGHTER. 381 00:22:04,782 --> 00:22:06,242 THEY'RE GONNA KILL HER. 382 00:22:06,242 --> 00:22:07,701 THEY WON'T. 383 00:22:07,701 --> 00:22:09,996 THEY NEED HER ALIVE TO GUARANTEE JOE'S SAFETY, 384 00:22:09,996 --> 00:22:11,914 SO JUST TELL US WHAT YOU DID, 385 00:22:11,914 --> 00:22:15,626 AND WE CAN SAVE YOUR DAUGHTER AND STOP JOE. 386 00:22:23,676 --> 00:22:26,428 HIS LAWYER OLIVIA WARREN. 387 00:22:26,428 --> 00:22:29,307 THEY TOLD ME TO HAND JOE OFF TO HER. 388 00:22:34,478 --> 00:22:35,479 CUFF HIM. 389 00:22:41,277 --> 00:22:44,113 WE NEED A CURRENT LOCATION FOR OLIVIA WARREN, JOE CARROLL'S LAWYER. 390 00:22:44,113 --> 00:22:45,572 TELL MITCHELL TO PING WARREN'S CELL PHONE. 391 00:22:45,572 --> 00:22:47,533 IF IT'S ON, THAT'S OUR BEST CHANCE. 392 00:22:47,533 --> 00:22:49,493 TELL BOY WONDER THANKS FOR THE HELP, BUT I'M ALREADY ON IT. 393 00:22:49,493 --> 00:22:50,703 SHE SAYS SHE'S ALREADY-- 394 00:22:50,703 --> 00:22:52,288 YEAH, NO. I HEARD THAT. 395 00:22:52,288 --> 00:22:54,915 FOUND IT. SHE'S IN RICHMOND, DRIVING, 396 00:22:54,915 --> 00:22:57,793 HEADED SOUTHEAST ON 12th STREET TOWARD CARY AVE. 397 00:22:57,793 --> 00:22:58,836 GREAT. 398 00:22:58,836 --> 00:22:59,879 I'LL CALL FOR BACKUP. 399 00:22:59,879 --> 00:23:00,838 SOUTHEAST-- 400 00:23:00,838 --> 00:23:02,006 YEAH. I HEARD THAT, TOO. 401 00:23:09,471 --> 00:23:12,766 YOU SEEM A BIT NERVOUS, OLIVIA. 402 00:23:12,766 --> 00:23:17,938 THAT'S BECAUSE I'M PRESENTLY COMMITTING AT LEAST 7 FELONIES. 403 00:23:17,938 --> 00:23:19,232 HOW MUCH FURTHER? 404 00:23:19,232 --> 00:23:21,984 OH. JUST A FEW MORE MINUTES. 405 00:23:32,452 --> 00:23:34,454 HEY. 406 00:23:34,454 --> 00:23:36,790 YOU'RE NOT SUPPOSED TO BE OUT HERE. 407 00:23:38,292 --> 00:23:40,711 DENISE THINKS I'M READING MY BOOK. 408 00:23:40,711 --> 00:23:42,963 HMM. 409 00:23:42,963 --> 00:23:45,465 SHE SAID YOU WERE GOING TO TAKE ME TO SEE MY MOM. 410 00:23:45,465 --> 00:23:47,509 DOESN'T SOUND LIKE YOU BELIEVE HER. 411 00:23:49,387 --> 00:23:51,097 SHE'S TELLING YOU THE TRUTH. 412 00:23:51,097 --> 00:23:52,806 I WAS JUST WITH YOUR MOM, YOU KNOW? 413 00:23:52,806 --> 00:23:54,225 YOU WERE? 414 00:23:54,225 --> 00:23:55,851 YUP. SHE WOULDN'T STOP TALKING ABOUT YOU. 415 00:23:55,851 --> 00:23:58,687 I WAS SUPPOSED TO BRING HER HERE SO YOU COULD SEE HER. 416 00:23:58,687 --> 00:24:01,481 WHAT HAPPENED? 417 00:24:01,481 --> 00:24:03,692 I SCREWED UP, 418 00:24:03,692 --> 00:24:09,656 AND, UH, LET THE BAD GUYS GET IN THE WAY. 419 00:24:09,656 --> 00:24:11,700 SHE OK? 420 00:24:11,700 --> 00:24:14,494 OH. YEAH. YEAH, YEAH. 421 00:24:14,494 --> 00:24:16,914 SHE'S FINE. 422 00:24:16,914 --> 00:24:19,083 IT'S JUST... 423 00:24:19,083 --> 00:24:20,876 IT'S GONNA TAKE A LITTLE BIT LONGER 424 00:24:20,876 --> 00:24:23,754 BEFORE YOU CAN SEE HER, OK? 425 00:24:23,754 --> 00:24:26,382 I'M SORRY ABOUT THAT. 426 00:24:26,382 --> 00:24:28,675 OK? 427 00:24:28,675 --> 00:24:31,095 WILL YOU TELL ME THE TRUTH? 428 00:24:31,095 --> 00:24:33,055 WHAT'S REALLY GOING ON? 429 00:24:35,433 --> 00:24:37,059 WHAT DO YOU WANT TO KNOW? 430 00:24:37,059 --> 00:24:41,188 THAT GIRL, WILL SHE BE OK? 431 00:24:44,066 --> 00:24:45,276 WOULD IT MAKE YOU FEEL BETTER 432 00:24:45,276 --> 00:24:48,070 IF I PROMISE YOU SHE'LL BE OK? 433 00:24:49,280 --> 00:24:51,740 YEAH? OK. 434 00:24:51,740 --> 00:24:55,244 I GIVE YOU MY WORD, ALL RIGHT? 435 00:25:02,584 --> 00:25:04,670 IS THIS WHERE YOU NEED TO BE? 436 00:25:04,670 --> 00:25:06,130 YES. 437 00:25:06,130 --> 00:25:07,881 I DON'T THINK ANYONE FOLLOWED US. 438 00:25:07,881 --> 00:25:11,260 I ADMIRE YOUR POSITIVE ATTITUDE, OLIVIA, 439 00:25:11,260 --> 00:25:15,139 BUT I DON'T SHARE YOUR OPTIMISM. 440 00:25:15,139 --> 00:25:19,101 THERE'S, UH, ONE MORE THING I NEED YOU TO DO FOR ME. 441 00:25:19,101 --> 00:25:21,854 WHAT IS IT? 442 00:25:21,854 --> 00:25:24,023 CALL RYAN HARDY. 443 00:25:24,023 --> 00:25:25,691 WHAT? WHY WOULD I? 444 00:25:25,691 --> 00:25:27,234 DO IT. 445 00:25:40,164 --> 00:25:41,665 Man: FBI DISPATCH. 446 00:25:41,665 --> 00:25:43,083 HELLO. THIS IS OLIVIA WARREN. 447 00:25:43,083 --> 00:25:44,710 I NEED TO SPEAK TO RYAN HARDY. 448 00:25:44,710 --> 00:25:46,003 IT'S AN EMERGENCY. 449 00:25:46,003 --> 00:25:47,838 I'LL CONNECT YOU NOW. 450 00:25:53,177 --> 00:25:54,220 HELLO? 451 00:25:54,220 --> 00:25:55,429 MR. HARDY? 452 00:25:55,429 --> 00:25:56,389 OLIVIA, WHERE ARE YOU? 453 00:25:56,389 --> 00:25:57,597 IS--IS JOE CARROLL WITH YOU? 454 00:25:57,597 --> 00:26:00,642 SAY THESE EXACT WORDS TO HIM-- 455 00:26:00,642 --> 00:26:03,687 JOE CARROLL IS KILLING ME, 456 00:26:03,687 --> 00:26:05,064 AND IT'S BECAUSE OF YOU, RYAN. 457 00:26:05,064 --> 00:26:06,273 WHAT?! 458 00:26:06,273 --> 00:26:07,900 TELL HIM THAT I AM KILLING YOU 459 00:26:07,900 --> 00:26:09,193 AND IT'S BECAUSE OF HIM. 460 00:26:09,193 --> 00:26:10,444 DON'T DO IT, JOE. 461 00:26:10,444 --> 00:26:11,445 WAIT, OLIVIA. 462 00:26:11,445 --> 00:26:12,821 PLEASE. NO! 463 00:26:12,821 --> 00:26:13,864 PUT JOE ON THE PHONE WITH ME. 464 00:26:13,864 --> 00:26:15,573 TELL HIM, OLIVIA. 465 00:26:15,573 --> 00:26:17,493 TELL HIM IT'S ALL HIS FAULT. 466 00:26:17,493 --> 00:26:18,618 I WON'T! 467 00:26:18,618 --> 00:26:19,870 WHAT'S GOING ON? 468 00:26:19,870 --> 00:26:21,414 TELL HIM HE CAN KILL ME. 469 00:26:21,414 --> 00:26:23,040 AAH! AAH! 470 00:26:23,040 --> 00:26:24,750 OLIVIA? 471 00:26:24,750 --> 00:26:25,834 OLIVIA? 472 00:26:28,170 --> 00:26:30,714 Ryan: NO, WAIT, WAIT. 473 00:26:30,714 --> 00:26:31,882 I'M GONNA BE THERE SOON. 474 00:26:31,882 --> 00:26:34,218 HE CAN KILL ME. 475 00:26:34,218 --> 00:26:36,512 OLIVIA? 476 00:26:36,512 --> 00:26:41,183 OLIVIA? HELLO? HELLO? 477 00:26:41,183 --> 00:26:43,394 NO. NO, NO! 478 00:26:45,020 --> 00:26:47,481 NO! 479 00:26:47,481 --> 00:26:49,358 HARDY, HOLD ON. 480 00:27:41,118 --> 00:27:42,660 FBI! 481 00:27:46,039 --> 00:27:48,000 ANYBODY SEE ANYTHING? 482 00:27:48,000 --> 00:27:50,169 SOME GUY GOT OUT OF THE CAR AND RAN IN THERE. 483 00:27:50,169 --> 00:27:51,629 ALL RIGHT. CALL 911! 484 00:27:57,217 --> 00:27:58,844 YOU SEE HIM? 485 00:27:58,844 --> 00:28:00,220 GO THAT WAY. 486 00:28:18,656 --> 00:28:19,865 I'M DAVID. 487 00:28:19,865 --> 00:28:21,617 IT'S A PLEASURE, SIR. 488 00:28:23,410 --> 00:28:25,538 Ryan: WESTON, HE'S UP THERE! 489 00:28:27,080 --> 00:28:28,165 GET OUT OF THE WAY! COME ON! 490 00:28:28,165 --> 00:28:29,833 FBI! 491 00:28:29,833 --> 00:28:32,836 STAY BACK! STAY BACK! 492 00:28:32,836 --> 00:28:34,588 THIS WAY, SIR. THIS WAY. 493 00:28:37,799 --> 00:28:39,009 OHH! 494 00:28:41,970 --> 00:28:43,138 TAKE THE ESCALATOR. 495 00:28:43,138 --> 00:28:44,306 MOVE! 496 00:28:57,695 --> 00:28:58,696 WHAT ARE-- 497 00:28:58,696 --> 00:28:59,863 EXCUSE ME. 498 00:29:20,634 --> 00:29:23,095 I'M LOUISE, SIR. 499 00:29:25,639 --> 00:29:27,683 NICE TO MEET YOU, LOUISE. 500 00:29:30,060 --> 00:29:32,646 Man on radio: DOUGLAS, ARE YOU IN THE BASEMENT? OVER. 501 00:29:33,897 --> 00:29:36,734 DOUGLAS, DOUGLAS, DO YOU COPY? 502 00:29:48,746 --> 00:29:51,164 UNH! UNH! UNH! 503 00:30:09,767 --> 00:30:11,101 UGH! 504 00:30:22,154 --> 00:30:23,447 OH. 505 00:30:25,574 --> 00:30:28,952 OH, THIS IS MOST BAFFLING. 506 00:30:28,952 --> 00:30:34,583 YOU, ME, US HERE IN THIS MOMENT? 507 00:30:34,583 --> 00:30:36,251 WHAT DO I DO? 508 00:30:36,251 --> 00:30:37,252 I KILL YOU? 509 00:30:37,252 --> 00:30:38,504 HUH? 510 00:30:38,504 --> 00:30:39,672 NOW? 511 00:30:41,715 --> 00:30:43,550 HMM? 512 00:30:43,550 --> 00:30:47,053 NO. THIS IS-- THIS IS ALL WRONG. 513 00:30:47,053 --> 00:30:49,181 I MEAN, YOU CAN'T DIE IN A PARKING GARAGE. 514 00:30:49,181 --> 00:30:50,599 THAT WOULD BE MOST UNEVENTFUL, 515 00:30:50,599 --> 00:30:52,058 HARDLY DRAMATIC AT ALL. 516 00:30:52,058 --> 00:30:54,852 GO AHEAD. 517 00:30:54,852 --> 00:30:57,564 DO IT. 518 00:30:57,564 --> 00:31:01,109 REALLY, YOU MUST ADMIT IT'S QUANDARY, HMM? 519 00:31:01,109 --> 00:31:07,574 I SO VERY MUCH WANT YOU TO LIVE AND SEE 520 00:31:07,574 --> 00:31:11,077 ALL THAT'S ABOUT TO HAPPEN. 521 00:31:11,077 --> 00:31:15,165 YOU SEE, AS MUCH AS YOU'VE ENCOUNTERED UP UNTIL THIS MOMENT, 522 00:31:15,165 --> 00:31:17,209 I DON'T QUITE KNOW HOW TO TELL YOU THIS, 523 00:31:17,209 --> 00:31:20,128 BUT WE HAVE ONLY JUST CONCLUDED 524 00:31:20,128 --> 00:31:22,964 THE FIRST PART OF OUR NOVEL. 525 00:31:22,964 --> 00:31:24,882 YES, RYAN. 526 00:31:24,882 --> 00:31:27,469 FOR 9 LONG YEARS, 527 00:31:27,469 --> 00:31:29,805 I HAVE SAT IN MY PRISON CELL 528 00:31:29,805 --> 00:31:35,435 OUTLINING THIS ENTIRE STORY IN MY MIND. 529 00:31:35,435 --> 00:31:38,731 I'VE METICULOUSLY PLANNED ALL OF IT 530 00:31:38,731 --> 00:31:40,733 WITH A LITTLE HELP FROM MY FRIENDS. 531 00:31:42,025 --> 00:31:45,028 THAT'S A BEATLES REFERENCE, BY THE WAY. 532 00:31:47,447 --> 00:31:49,449 BUT I MUST SAY 533 00:31:49,449 --> 00:31:52,870 VERY, VERY MUCH GOING ACCORDING TO PLAN. 534 00:31:56,498 --> 00:31:58,584 WE SHOULD LEAVE NOW, SIR. 535 00:32:00,043 --> 00:32:03,963 THERE IS SO MUCH MORE TO COME, RYAN. 536 00:32:07,259 --> 00:32:10,928 I'LL BE IN TOUCH. 537 00:32:10,928 --> 00:32:12,431 CALL ME WHEN YOU'RE GONE, 538 00:32:12,431 --> 00:32:14,767 AND THEN I'LL LET HIM GO. 539 00:32:20,146 --> 00:32:23,024 DON'T EVEN THINK ABOUT IT. 540 00:32:27,362 --> 00:32:28,906 YOU CAN'T KILL ME. 541 00:32:28,906 --> 00:32:31,700 DIDN'T YOU HEAR WHAT JOE JUST SAID? 542 00:32:31,700 --> 00:32:34,202 HE WANTS ME ALIVE. 543 00:32:34,202 --> 00:32:37,706 THEN I'LL SHOOT YOU IN THE LEG. 544 00:32:37,706 --> 00:32:39,416 DON'T MISS. 545 00:32:39,416 --> 00:32:42,043 NO! 546 00:32:42,043 --> 00:32:44,755 AIGH! 547 00:32:44,755 --> 00:32:46,924 OHH! AAH! 548 00:33:29,633 --> 00:33:31,050 OK. 549 00:33:31,050 --> 00:33:33,428 YEAH. WE'LL BE ON THE ROAD IN A FEW MINUTES. 550 00:33:33,428 --> 00:33:34,888 CLEAR TO GO. 551 00:33:34,888 --> 00:33:38,057 IT'S GONNA TAKE US A FEW HOURS TO GET THERE. 552 00:33:38,057 --> 00:33:39,726 WHAT ABOUT HIM? 553 00:33:41,227 --> 00:33:45,148 AND THE GIRL? 554 00:33:45,148 --> 00:33:46,191 GIVE ME A FEW MINUTES. 555 00:33:46,191 --> 00:33:47,484 I'LL BE RIGHT BACK. 556 00:33:54,908 --> 00:33:56,910 YOU NEED ANYTHING ELSE? 557 00:33:56,910 --> 00:33:59,204 NEED A WORD IN PRIVATE. 558 00:33:59,204 --> 00:34:00,413 ANYTHING WRONG? 559 00:34:00,413 --> 00:34:04,042 NO. JUST SOME UNFINISHED BUSINESS. 560 00:34:17,723 --> 00:34:19,850 Parker: THE HELICOPTER THEY USED WASN'T REGISTERED. 561 00:34:19,850 --> 00:34:22,185 LOCAL AIRPORT RADAR HAD THEM FOR A SHORT TIME, 562 00:34:22,185 --> 00:34:24,312 BUT THEY LOST THEM. 563 00:34:24,312 --> 00:34:26,272 WARDEN MONTERO'S IN FEDERAL CUSTODY. 564 00:34:26,272 --> 00:34:28,065 ANYONE LOCATE HIS DAUGHTER? 565 00:34:28,065 --> 00:34:29,401 NOT YET. 566 00:34:29,401 --> 00:34:30,610 HOW ARE WE SUPPOSED TO FIND THESE PEOPLE? 567 00:34:30,610 --> 00:34:32,779 THEY'RE NAMELESS, FACELESS. 568 00:34:32,779 --> 00:34:35,032 WE'LL FIND THEM AND BREAK THEM. 569 00:34:38,201 --> 00:34:41,329 LET'S START WITH THIS GUY RIGHT NOW. 570 00:34:41,329 --> 00:34:43,331 I CAN'T LET YOU HURT HIM, RYAN. 571 00:34:43,331 --> 00:34:45,625 IF WE'RE GONNA END THIS, IF WE'RE GONNA FIND JOE, 572 00:34:45,625 --> 00:34:47,419 WE'RE GONNA FIND HIS SON, THE REST OF THEM, 573 00:34:47,419 --> 00:34:50,087 WE GOT TO START DOING THINGS A DIFFERENT WAY. 574 00:35:01,140 --> 00:35:02,976 I'LL GIVE YOU 5 MINUTES. 575 00:35:12,151 --> 00:35:16,114 Parker: GUYS, LISTEN UP. 576 00:35:16,114 --> 00:35:18,742 FELLAS... 577 00:35:18,742 --> 00:35:20,577 I NEED TO SPEAK TO HIM. 578 00:35:30,295 --> 00:35:32,213 SO... 579 00:35:32,213 --> 00:35:34,215 THE BOY... 580 00:35:34,215 --> 00:35:35,675 JOEY MATTHEWS... 581 00:35:37,761 --> 00:35:39,345 WHERE IS HE? 582 00:35:43,558 --> 00:35:46,227 I'M NOT GONNA TELL YOU ANYTHING. 583 00:35:49,689 --> 00:35:51,316 YOU LOOK LIKE YOU'RE IN PAIN. 584 00:35:51,316 --> 00:35:52,734 I CAN HANDLE IT. 585 00:35:57,280 --> 00:35:59,032 THAT'S GOOD TO KNOW. 586 00:36:00,826 --> 00:36:02,160 UNH! 587 00:36:04,621 --> 00:36:05,622 AIGH! 588 00:36:05,622 --> 00:36:07,582 AAH! 589 00:36:07,582 --> 00:36:09,208 AAH! 590 00:36:09,208 --> 00:36:11,336 AAH! 591 00:36:30,313 --> 00:36:31,481 NEED SOME BOLT CUTTERS! 592 00:36:31,481 --> 00:36:32,941 WE FOUND THE WARDEN'S DAUGHTER 593 00:36:32,941 --> 00:36:34,317 FBI. I'M GONNA GET YOU OUT OF THERE. 594 00:36:34,317 --> 00:36:35,652 SHE'S A LIVE. BRING IN THE PARAMEDICS. 595 00:36:38,530 --> 00:36:41,158 OK. OK. I GOT YOU NOW. 596 00:36:41,158 --> 00:36:42,325 YOU'RE OK NOW. YOU'RE OK. 597 00:36:42,325 --> 00:36:44,661 WE GOT YOU, WE GOT YOU. 598 00:36:44,661 --> 00:36:47,497 HEY, HEY. LOOK AT ME. 599 00:36:47,497 --> 00:36:49,290 THERE WAS A LITTLE BOY. 600 00:36:49,290 --> 00:36:50,709 JOEY? 601 00:36:50,709 --> 00:36:52,627 THEY--THEY TOOK HIM. 602 00:36:52,627 --> 00:36:54,838 HE--HE--HE WAS-- HE WAS TRYING TO HELP ME. 603 00:36:57,174 --> 00:36:58,175 Weston: PLACE IS CLEAR. 604 00:36:58,175 --> 00:37:00,760 SHE'S THE ONLY ONE. 605 00:37:00,760 --> 00:37:02,261 IT'S OK NOW. 606 00:37:02,261 --> 00:37:04,514 COME ON. WE'RE GONNA GET YOU OUT OF HERE. 607 00:37:20,030 --> 00:37:21,406 DID THEY TELL YOU WHERE I'M GOING? 608 00:37:21,406 --> 00:37:22,824 BECAUSE THEY WON'T TELL ME. 609 00:37:22,824 --> 00:37:24,201 PROTECTIVE CUSTODY. 610 00:37:24,201 --> 00:37:26,078 BETTER IF I DON'T KNOW. 611 00:37:30,123 --> 00:37:31,332 SO JOE'S FREE... 612 00:37:31,332 --> 00:37:32,375 CLAIRE. 613 00:37:32,375 --> 00:37:33,710 AND NOW I GET LOCKED UP. 614 00:37:36,713 --> 00:37:40,217 IT'S FOR YOUR OWN SAFETY. 615 00:37:40,217 --> 00:37:41,218 AND MY SON? 616 00:37:41,218 --> 00:37:43,511 I'M NOT GIVING UP, CLAIRE. 617 00:37:43,511 --> 00:37:45,722 THAT'S WHAT HE WANTS, 618 00:37:45,722 --> 00:37:49,226 BUT HE'S NOT GONNA WIN. 619 00:37:49,226 --> 00:37:51,394 THIS ISN'T A GAME, RYAN. 620 00:37:51,394 --> 00:37:52,771 THIS IS MY LIFE, 621 00:37:52,771 --> 00:37:54,773 THIS IS MY SON'S LIFE! 622 00:37:58,401 --> 00:38:03,949 Man: ♪ THIS WILL NEVER END 'CAUSE I WANT MORE ♪ 623 00:38:03,949 --> 00:38:09,662 ♪ MORE, GIVE ME MORE, GIVE ME MORE ♪ 624 00:38:09,662 --> 00:38:15,293 ♪ THIS WILL NEVER END 'CAUSE I WANT MORE ♪ 625 00:38:15,293 --> 00:38:21,382 ♪ MORE, GIVE ME MORE, GIVE ME MORE ♪ 626 00:38:32,269 --> 00:38:37,816 ♪ IF I HAD A HEART, I COULD LOVE YOU ♪ 627 00:38:37,816 --> 00:38:43,529 ♪ IF I HAD A VOICE, I WOULD SING ♪ 628 00:38:43,529 --> 00:38:48,868 ♪ AFTER THE NIGHT WHEN I WAKE UP ♪ 629 00:38:48,868 --> 00:38:55,292 ♪ I'LL SEE WHAT TOMORROW BRINGS ♪ 630 00:38:55,292 --> 00:39:00,797 ♪ AHH, AHH, AHH, AHH, AHH, AHH ♪ 631 00:39:00,797 --> 00:39:06,427 ♪ AHH, AHH, AHH, AHH, AHH, AHH ♪ 632 00:39:06,427 --> 00:39:11,683 ♪ AHH, AHH, AHH, AHH, AHH, AHH ♪ 633 00:39:11,683 --> 00:39:16,604 ♪ IF I HAD A VOICE, I'D SING ♪ 634 00:39:28,908 --> 00:39:31,911 Woman: ♪ DANGLING FEET FROM WINDOW FRAME ♪ 635 00:39:31,911 --> 00:39:37,458 ♪ WILL I EVER, EVER REACH THE FLOOR? ♪ 636 00:39:37,458 --> 00:39:43,006 ♪ MORE, GIVE ME MORE, GIVE ME MORE ♪ 637 00:39:43,006 --> 00:39:45,884 ♪ CRUSHED AND FILLED WITH ALL I FOUND ♪ 638 00:39:45,884 --> 00:39:47,927 ♪ UNDERNEATH AND INSIDE ♪ 639 00:39:47,927 --> 00:39:51,388 ♪ JUST TO COME AROUND ♪ 640 00:39:51,388 --> 00:39:58,855 ♪ MORE, GIVE ME MORE, GIVE ME MORE ♪ 641 00:39:58,855 --> 00:40:00,232 COME ON. 642 00:40:02,025 --> 00:40:03,442 IT'S OK. 643 00:40:08,156 --> 00:40:14,079 ♪ AHH, AHH, AHH, AHH, AHH, AHH ♪ 644 00:40:14,079 --> 00:40:18,750 ♪ IF I HAD A VOICE, I WOULD SING ♪ 645 00:40:36,559 --> 00:40:38,144 HEY, JOEY. 646 00:40:40,563 --> 00:40:43,275 I KNOW YOU. 647 00:40:43,275 --> 00:40:45,193 YOU'RE MY DAD. 648 00:40:50,365 --> 00:40:52,033 YEAH. 649 00:40:52,033 --> 00:40:54,911 YEAH, I'M YOUR DAD.